How 21 Savage's 'Red Rum' Was Made: A Comprehensive Breakdown

TLDRDiscover the creative process behind 21 Savage's song 'Red Rum' as it is deconstructed and recreated using only stock plugins in FL Studio. Learn about the sampling choices, the use of tension and release, and the production techniques employed to captivate the listeners.

Key insights

🔍The song 'Red Rum' by 21 Savage was produced by London on the track and Pee and is the third track off his album 'American Dream'.

🎹The song samples 'Serenata do Adas' by Ela laera and uses a highpass filter to introduce new low-end instruments without dissonance.

🔄The samples from 'Serenata do Adas' are reversed, creating a sense of anticipation and adding development to the instrumental.

🥁The drums used in the recreation include the Rack Kick, Luger Snare, Hit One High Hat, and an open hat for rhythmic variation.

🎶The instrumental is completed with an 808 bass, which is pitched up and reversed, adding depth and continuity to the song.

Q&A

Who produced 'Red Rum' by 21 Savage?

'Red Rum' was produced by London on the track and Pee.

What album is 'Red Rum' from?

'Red Rum' is the third track off 21 Savage's album 'American Dream'.

What song is sampled in 'Red Rum'?

'Red Rum' samples 'Serenata do Adas' by Ela laera.

How is tension and release used in the song?

Tension and release are created through the repetition of samples and the use of reversals, capturing and captivating the listeners.

What drums are used in the song?

The drums used in the recreation include the Rack Kick, Luger Snare, Hit One High Hat, and an open hat for rhythmic variation.

Timestamped Summary

00:00Introduction to the breakdown of 'Red Rum' by 21 Savage.

02:14The sample used in 'Red Rum' from 'Serenata do Adas' by Ela laera.

03:31Creating tension and release with sample repetition and reversals.

06:26Adding drums to the recreation, including the Rack Kick, Luger Snare, Hit One High Hat, and open hat.

07:19Adding the 808 bass, pitching it up, and reversing it for depth and continuity.